Built for the
world beyond the edit.
Nomad began as an editorial company in 1996. That creative foundation informs how we approach localization: with attention to the story, the details and the people bringing it to life.
Keep the atmosphere.
Adapt the detail.
Another matched example from our localization reel: the upper-arm tattoo is removed while the scene’s lighting, composition and performance stay consistent.
Reel frames 01:01.0 / 01:02.3. No specific destination market or reason for the change is asserted.
See the work in motion ↗ (opens in a new tab)It began with a client’s request: build a global post-production system to localize TV and digital media efficiently and securely, while maintaining quality control.
The first project involved four TV ads, six countries and 24 deliverables. The work included cultural adaptations, local-language UI, VFX and CG alterations, signage, logos, title cards, voiceover and mixing.
As the number of countries and delivery formats grew, we developed a project-management system specifically engineered for tagging and localization at global scale.
Today, that experience informs a connected workflow for asset tracking, creation, export and quality control.
Across the wider Nomad family, creative editorial, visual effects, CGI and design sit alongside global content production. For localization, that means a workflow grounded in creative craft and built around the needs of each market.
Storytelling is at the heart of Nomad. Editors and visual effects artists work hand in hand, while Subset Studio brings specialist CGI and design capabilities to the wider creative offering. Teams bring these disciplines together around each project.
Our approach combines creative rigor, production flexibility and resourceful problem-solving. Shared systems connect our offices, so work can be distributed across the network when the project calls for it.
The last mile.
A world of possibilities.
Tell us what you’re making, where it needs to go, and what comes next.
Let’s talk about your project